I read DMFA pretty avidly between 2007-2012. I just recently checked back on it for nostalgia, and I saw that the latest chapter is now 704 pages long (the previous record holder was about 150 pages, I think). Has Amber abandoned the division of her comic into chapters? If so, why? In the description Amber said that she's been drawing the comic for a full half of her life, which really made me think. On one hand, I'm glad that Amber has been able to work so consistently on this project for over two decades. It shows an incredible amount of dedication and motivation, and she has a core of fans that seem like a nice and supportive community. I assume that she enjoys having the comic be such an integral part of her life for all these years, and I'm happy for her as she continues into the future.
At the same time, I wonder about the storytelling aspect. How many panels does a person need to tell a story, any story? At what length does the story become too unfocused, wandering away from the goal of an ending? Is Amber's goal to just produce a comic with fun characters doing stuff, rather than tell a story with a beginning, middle, and end? If anyone who reads this still follows DMFA, what's the story doing? Is it building to any kind of conceivable ending, i.e. could you imagine what would plausibly happen at the conclusion of DMFA? This comic is unique in how it started as just friends messing around on Furcadia and then evolved into its own thing. I wonder if that non-conventional beginning means I shouldn't think of it as a conventional story.
The thing that hooked me as a reader for a while was the magic vs. technology plot line. I especially enjoyed the dynamic between Kria and Jyrras, with Kria representing the old order of "might makes right" while the normally timid Jyrras forcefully advocates for a more egalitarian world. The fact that this made Kria attracted to Jyrras was both funny and intriguing. I wondered what would happen as that part of the story progressed. How would Jyrras upend the hierarchy of the world while having friends on both sides of the divide? How would the revelation of the entirely synthetic life he has produced play into this? There are multiple puppet-masters behind the scenes, is this playing into their hands? I lost interest when I came to feel that there had been no progress on these questions.
It's just kind of frustrating. Amber has these interesting characters and a fun setting, writes good dialogue and draws good art, but ultimately there isn't enough story to satisfy me.