I'm sorry but this will annoy me if I don't mention it. When did I imply that I wanted perfect drafts? I may have implied that I wanted perfect chapter endings but definitely not drafts.
Also how would I make an outline would it be somthing similar to what Sergei said? When I made an outline for a story I made it look like a family tree.
Forgive me, I meant no trouble. You never implied you wanted perfect drafts or a perfect final copy. I assumed from the post, with "ending chapters rough" and "trying not to think too hard" that maybe there was a worry that a story might not be good enough or something related to that. Again forgive me, I assumed wrong.
Hmm, I think what Sergei said is kinda like what I had in mind. When I think of a larger plot, I like to think of it like a large arch or bunny hop for a story. If that hop is too large for any one story (like writing a novel out of a short story haha), then I like to see the chapters act as little bunny hops that move the larger one forward. Each chapter or hop adds more clues, moves the plot further, allows the reader to see something new for the main story, or ultimately progresses the main plot along in the book.
When you write the outline, I think it would help to write like that. First, envision the large bunny hop of your plot. The overall arch of the plot. Then imagine what smaller hops you would need to achieve the larger plot. Each hop could be a chapter that you write, and hop after hop you'd have an outline with chapters planned out.
At least, that's how I see it. I've found in writing that there's no real "right" answer when it comes to this. What matters is what works best for you. The best any of us can do is advise and offer insight on how we work. This insight, hopefully, generates more ideas on how to better writing.